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Vera Maria Carminati
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Elio Succi
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Laura Fantini,
By Elio Succi
Praxis Artistica, Art
and Culture magazine, Rimini, Italy.
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(seleziona la pagina in
italiano)
Laura
Fantini strives for the total recovery of the image and she
appears to assert that objectivity is the real protagonist of art
while its operator is valuable for its technical abilities. Some
results, I must say, showcase a certain balance and highlight a
style that talks clearly of sensibility and creative spirit. The
scrupulous respect for the truth doesn’t affect nor freeze the
freedom of the artist…an artist who could be seen as a
representative of the radical realism movement, but defining her
only in part.
Some of her flowers or still life
paintings remind you of photography - an art that sees more in
detail, just like the human eye. But sometimes figures go beyond
the paintings where they are so carefully reproduced. We then
witness a different suggestion of the same object. For example:
attention is focused on some bulbs of garlic, but the leaves
expand beyond the limits imposed by the rectangular frame. The
light casts a sharp gleam in the pursuit of the subject. The
interpretations, if necessary, can be multiple.
Again, let’s take into consideration
the painting of a rose. The illusive and mimetic values are high
and astonishing. These flowers appear to be suspended in a white
field that is passed through by a breeze of color or traces of
shadow. Perfect precision is paired with indefinable luminosity.
These paintings express a priority to
be faithful to things and reveal artistic abilities and command of
the chromatic language.
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